The Non-Fiction Novelist

Helping at-work writers to become novelists

So Long Thriller Guy… Yeah, We Knew Ye

By Larry Kahaner

As someone who has been writing a blog about writing for a few years, my posts often feel sweet and light compared to my longtime buddy and blogger Allen Appel alias The Thriller Guy. TG is a master at telling would-be writers how the book biz is really played, how it’s sometimes a game for suckers and to stop bellyaching about the ‘writer’s life.’ A novelist himself, Allen aka TG, not only has an impressive stable of novels but has reviewed over 500 thrillers for a major trade publication. (And wrote a cool memoir, I might add.)

small portrait allen 3

He has the goods and doesn’t mind telling you about it. His advice is tough, rugged as a moonscape, and real as a Taser in the face. Lots of amateur writers don’t like him because he doesn’t coddle, doesn’t equivocate and doesn’t tell them what they usually hear from friends and family about their precious prose. On the other hand, when you need help with a vexing hunk of writing, he’s there to work you through it – as he’s done for me over many a sandwich and red Solo cups of Jameson.

Before this sounds like an elegy instead of a celebration, let me present the last blog from the man who always reminds you to “Sit down; Shut up; Get to work.”

 

So long, Thriller Guy

“It has become obvious that the always shadowy Thriller Guy has not made the transition from scarred urban warrior crouched in his basement lair to the kinder hills and small towns of North Carolina.

I’ve thought about how to bring him to a natural, or unnatural end. Maybe going down in a brisk pre-dawn firefight on some unnamed snow-capped ridge under siege from a legion of turbaned AK-wielding hajjis. He’d like that. Or perhaps something more ironic, more absurd. I’ve always been amused by the scene in the movie Who’s Afraid of Virginia Wolfe when George sits Martha down after a long night of drinking and tells her, in Richard Burton’s solemn, sonorous voice, that their son Jim was killed that afternoon on a country road… “when he swerved to avoid hitting a porcupine and crashed into a tree.” How ignominious. How completely un-Thriller Guy.

At any rate, it’s clear that he’s run out of writing advice to sling around.

 

Read the rest here.

What if the US were run like a corporation and a madman was in charge? Check out my latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money back guarantee. Watch the trailer.

 

 

 

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Your Novel Ain’t Perfect. Let It Go.

By Larry Kahaner

I’m thinking a lot about what I’ve done for a living during the past 30 years. As a writer, journalist and author (mainly non-fiction and now a novelist) I every so often I come upon a sentence, a phrase, a thought about what it means to be a writer that strikes me hard where I stand. Usually, it’s something I learned that has helped turn me into a working writer.dali perfection

I was reading a blog the other day by the folks at the art of storytelling and a sentence resonated with me. “Most new writers start as perfectionists and must unlearn this to become true writers.”

For sure. I’m lucky that I learned this early on while in the newspaper business where you didn’t have time to torment yourself over your precious words.

I’ve been harping about this issue for years. I even wrote a blog about it. I compared novelwriting to the AK-47 rifle. The AK, if you’re not aware, is the most used weapon in the world and it has several characteristics that make it so popular. It’s cheap, easy to make, easy to use — and it’s not perfect. Yes, that last one is a positive attribute.

I’m quoting here from my post:

“It’s not a precision, beautifully- constructed weapon like the U.S. M-16 rifle, but it did the job and, unlike the M-16, it didn’t have to be taken apart on a regular basis to be cleaned. In fact, the reason why the AK works so well is because it is not perfect. The parts don’t fit precisely together so dirt and gunk don’t accumulate in the mechanism. It just kicks out the muck and keeps firing.

One of the sayings in Kalashnikov’s Soviet Union was “Perfection is the enemy of good enough,” and I was reminded of this while reading Art & Fear by David Bayles and Ted Orland. It’s a great read for all artists including writers.

An important point the authors make is that many writers are stopped in their tracks because they’re trying to achieve perfection on the first go-around.”

When newish writers ask me for advice I tell them to write the best that they can, but don’t obsess over every word or even every sentence. You can never make anything you write perfect. It’s impossible. (For another take on letting go see Cristian Mihai’s blog on the subject.)

One of my mentors once gave me the following advice. “Anything that’s written can always be made better.” Once you understand and believe it, you can proceed with your work and not get caught in the snare of perfection.

Even the best writers offer flawed prose but hide it among solid, serviceable, engaging and compelling bodies of work.

By definition, I believe that writing – like any craft or art – is an imperfect endeavor so do the best you can in the time allotted, to the limit of your abilities, and then move on. I’m not advocating sloppy work nor am I in favor of quantity over quality (something I’m seeing too much of these days because the mechanics of self-publishing are way too easy) but don’t be afraid to let your novel fly away when you’re done. Mind you, if you know that your book has a major defect or hole, fix it. Don’t be lazy or frustrated with it. Do the work, and don’t release it into the wild, until its right.

Then let readers decide if your book is perfect or not.

What if the US were run like a corporation and a madman was in charge? Check out my latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money back guarantee. Watch the trailer.

 

 

 

 

 

 

 

 

 

A Review of my thriller “USA, Inc.”

A Review of my thriller “USA, Inc.”

By Larry Kahaner

I’ve received many book reviews during my career – every media from the New York Times to the Wall Street Journal – but few as laudatory as this one from Kurt Brindley who writes a popular blog at www.kurtbrindley.com. I don’t usually put up reviews of my books on this blog – they’re over at Kahaner.com –  but sometimes you just gotta brag. Plus, it feels so satisfying when a true reader appreciates your work.

Here’s the beginning of his review or you can skip over to the full review on Kurt’s  website. USA Inc 25 May 2016 KINDLE

“When acclaimed and prolific author, investigative journalist, and private investigator Larry Kahaner reached out to me to see if I would be interested in receiving a copy of his latest thriller, USA, Inc. (A Mike Wardman Novel: Book 1), I was at first skeptical, for the last two books that I read that were pitched to me as “thrillers” – one which I reviewed here and, the other, because I won’t review here any book that I cannot honestly give at least a Three-Star rating, I wouldn’t review – turned out to be less like thrillers and more like romance novels.

However, I was intrigued by Larry’s proposal after checking out his impressive bio; and then, after reading the book’s synopsis and preview, I was hooked, completely, and quickly wrote back to him to accept his kind offer.

And I’m truly grateful that I did because I found in Larry’s book a Five-Star Story that is fresh, fast, topical, and, yes, quite thrilling to read.

Literary fiction is my natural space for my literary endeavors; mostly, because I find they instruct me about life in ways foreign or less apparent to my way of living and thinking, often while set in surreal, nightmarish environments completely alien to my own. And the literature I like best (Kafka) instructs without the pedantry (Dickens) and overbearing, lifelike details (Balzac) that I look to literature to escape from in the first place…and which I too often find in genre fiction.

 

Which is why USA, Inc. is a rare gem of a genre fiction find for me.

Read the rest of the review here.

Don’t Feel Compelled to Publish an E-Book on Amazon and Other Life Tips

Don’t Feel Compelled to Publish an E-Book on Amazon and Other Life Tips

By  Larry Kahaner

  • Be kind to unkind people. It’s difficult, so do your best.
  • Discover what you love doing – then figure out how to make a living doing it. Too many people do it the other way, end up in a career that makes them miserable and they’ve become trapped by their income. Law students take note.einsteinshow
  • When you have a decision to make, take fear out of the equation. Also, make scary decisions more quickly; the longer you stand on the diving board, the more frightened you become. And, speaking of fear, know that when you see hatred in a person, it usually has its roots in fear.
  • Don’t be overly concerned about taking a short term job that’s not quite to your liking. The benefits of making a living, making your way in the world are immense. Even a lousy job beats sitting around the house in your underwear. See the rule about loving what you’re doing.
  • Relationships are difficult. Be wary of couples for whom their joining always appears to be rosy.
  • Not everyone has to have kids.
  • Growing old can be difficult, but realize it’s a gift that not everyone gets.
  • Be grateful.
  • When something good comes along, take more if it’s offered except for pie. Too much pie can make you sick.
  • Spend money on experiences, not stuff. Never rent a storage unit for more than a few months.
  • Hard work can get you far, but never underestimate how much luck plays in life. Can you make your own luck? No; that’s why they call it luck, but you can be open when it comes along. Try not to be angry at people who squander their luck. Bastards.
  • Say ‘yes,’ to new experiences as a default. Before you die, you will regret more about the things you didn’t do, than the things you did. This rule often applies to having sex.
  • Money can’t buy happiness, but lack of money can make you miserable. Find a happy ratio of work vs. leisure for you.
  • Friends will come and go in your life. Enjoy them while they’re around, and resist figuring out why you like being with them.
  • Don’t feel compelled to write an e-Book and publish it on Amazon. We have plenty of books. Good ones, too. Not that yours would be bad. But it might. So, think twice, please.
  • Everyone is on their own journey. Try not to be judgmental about others unless they’re really doing something dumb, considering an awful tattoo, or are being hurtful to others.
  • Learn a few good jokes and hone their telling to precision.
  • Get a dog, and always be the person they think you are.
  • Don’t think zoos are cool. The animals would much rather be back where they came from.
  • Social media is a time-suck. Read a friggin’ book once in a while.
  • You don’t have to respond to everything said to you. Sometimes you can just smile.

What if the US were run like a corporation and a madman was in charge? Check out my latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money-back guarantee.

How Readers are Cheated Out of their Imaginations

How Readers are Cheated Out of their Imaginations

By Larry Kahaner

I read a lot of indie books. Let me rephrase that. I read the first few pages of a lot of indie books. Most are terrible, and it’s often clear from the get-go when they’re not going to get any better.

book imagination

Artist: Igor Morski 

I’ve railed about the lack of excellent indie authors (and also praised some glorious finds) so I won’t do it again here, but I do want to explain one of the most flagrant early giveaways that a book is gonna stink.

It is over-description, and lately I’m seeing a ton of it not only in indie authors but some traditionally-published writers as well.

Why do some authors insist on depicting the minute details of a house, a mountain a person? It’s annoying, exhausting and pegs them as amateurs.

There are a few reasons why they do this, I think. First, they believe that it’s easier to spend time getting down to the atomic level rather than thinking about where the story goes next. And they’re right – in a way. It is easier to keep describing something in detail instead of moving the story forward. This takes guts, creativity and hard work.

Second, they believe that readers want this. Some do, but most readers want movement more than anything. They want the story to progress. They don’t want to read a page describing a twig – I just read an entire opening page describing a small branch. Brutal. – or the weather.

Third, they believe that a long description sets the tone for the book. True, but you get more ambience if the description is short, full of emotion, energy and integral to the story instead of borne from the author’s indulgence.

In his book, On Writing: A Memoir of the Craft, Stephen King explains why he doesn’t overly describe characters.

 

“I’m not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they’re wearing (I find wardrobe inventory particularly irritating; if I want to read descriptions of clothes, I can always get a J. Crew catalogue). I can’t remember many cases where I felt I had to describe what the people in a story of mine looked like – I’d rather let the reader supply the faces, the builds, and the clothing as well. If I tell you that Carrie White is a high school outcast with a bad complexion and a fashion-victim wardrobe, I think you can do the rest, can’t you? I don’t need to give you a pimple-by-pimple, skirt-by-skirt rundown. We all remember one or more high school losers, after all; if I describe mine, it freezes out yours, and I lose a little bit of the bond of understanding I want to forge between us. Description begins in the writer’s imagination, but should finish in the reader’s.”

 

Those who are familiar with my blog know that I’m a fan of noir and detective novels. These past writers and their current day successors know how to cram a ton of description into a few words. Following are some recent favorites of mine. Note how these writers don’t nibble at the edges, but get right to point. Some might say the writing is over the top, too melodramatic, but I say ‘bulls-eye.’

 

James Sallis in Drive describes a pickup truck.

“Jodie’s former ride was a Ford F-150, graceless as a wheelbarrow, dependable as rust and taxes, indestructible as a tank. Brakes that could stop an avalanche cold, engine powerful enough to tow glaciers into place. Bombs fall and wipe out civilization as we know it, two things’ll come up out of the ashes: roaches and F-150s. Thing handled like an ox cart, rattled fillings from teeth and left you permanently saddle sore, but it was a survivor. Got the job done, whatever the job was.”

Nic Pizzolatto is not only an author but a screenwriter. He created the HBO show True Detective. Here, in Galveston: A Novel, he depicts a woman that he meets.

“A woman emerged out the room behind the counter, her flesh so grooved and dehydrated it might have been cured in a smokehouse. It was sun-baked the color of golden oak and draped across jagged bones. Squirrel gray hair. Her eyeglasses had a square of duct tape holding them together at the center, and she pushed them up on her nose.

I recommend Dodgers: A Novel by Bill Beverly whose style is refreshing, unique, and at times deceptively simple.

“The town smelled like corn cooked too long.”

 

In Mike Dime by Barry Fantoni, the 1940’s  noir oozes off the page.

“The center of the room was filled by a four-seated, seal gray velvet sofa that Norma Summers had re-covered in gin stains. She planted herself with some difficulty on the arm of the sofa and tried to get me in focus. The flap of her housecoat fell open as she attempted to cross her legs. It let more thigh through than it should have, but her thighs were never going to bother me, and she was beyond bothering about anything but the next drink.”

 

And the last one. Notice how the description in Beggars of Life by Jim Tully seems common, almost bland, until the last line.

Bill had blond hair, and a sharp face. He had blue eyes, a straight nose, and a square chin. He was a heavy-set youth, and his shoulders were broad and powerful. He had no morals at all, and was as irresponsible as the wind.”

I harp constantly about authors not respecting their readers. One way writers dis them is with over-description. They’re saying: “I don’t trust you to have an imagination so I have to tell you everything.”

That’s not cool.

What if the US were run like a corporation and a madman was in charge? Check out my latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money-back guarantee.

 

 

Stop Writing Crappy Fantasy Novels

Stop Writing Crappy Fantasy Novels

By Larry Kahaner

This is one of those blog posts that  get me in trouble.

I don’t do it on purpose. It’s just that some things bug me, and I can’t be quiet about it.dummies-161x200

Here it is: Stop writing crappy dystopian, sci-fi, and fantasy novels. I know I’m lumping them together, but they’re related as far as my beef is concerned. In fact, I’m just going to use the word fantasy from now on to encompasses these three genres.

Why do so many people write terrible fantasy novels? Because it’s easy.

Whoa. Writing a book is easy? No, never. Writing is hard. I know; I’ve written many books, fiction and non-fiction, and anyone who can finish a book gets an attaboy or attagirl from me.

What I’m talking about are writers who use the fantasy form to write awful books, because this form, more than any other (except maybe romance novels; I’ll get to you in a subsequent post) allows writers to be lazy and defraud their readers.

Here’s an example: One of your characters is trapped in a room and there’s no way out. Suddenly, they fish out a special piece of something from their pocket that transports them away. We had no clue about this magical item beforehand. It’s lazy writing. Its cheating. One of the hallmarks of strong authors is the ability to put their protagonist in a bind and get him or her out cleverly without resorting to trickery. Mystery writers are usually pretty good about it without pulling out a gun that just happened to be hidden in someone’s boot. But even some bestselling authors succumb to a savior parachuting in – a rescuer we’ve not seen before. In one mystery novel I read from a super successful author you were to wonder about the killer’s identity. As you should. Surprise. It was a long lost twin who came into the picture toward the book’s end. We had no idea this person existed and there were no clues to his even being alive. Cheater.

Fantasy author Patrick Rothfuss alludes to this problem when it comes to using magic. He writes: “If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you’re at it? Go ahead. Nothing’s off limits. But the endless possibility of the genre is a trap. It’s easy to get distracted by the glittering props available to you and forget what you’re supposed to be doing: telling a good story. Don’t get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That’s a story. Handled properly, it’s more dramatic than any apocalypse or goblin army could ever be.”

Exactly. You can’t tell a strong story if you’re always relying on magic, bogus superpowers or outlandish ‘saves.’

How to prevent this from ruining your book is actually pretty easy. Don’t write yourself into a corner just because you want to made your work as dramatic, scary or provocative as possible. It’s okay not to know ahead of time how a character will get out of a jam, but do it in such as way that’s not ridiculous or unexpected.

Respect your readers, okay?

 

What if the US were run like a corporation and a madman was in charge? Check out my  latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money-back guarantee.

Book Reviewers Can be Jerks

Book Reviewers Can be Jerks

By Larry Kahaner

Whether you are a seasoned author or just published your first book, reviews play tricks on your self-confidence as a writer. Like everything else in life, some people like your stuff and some people hate it (thanks, Captain Obvious) and there’s nothing you can do about it.review-book

Every book has its supporters and detractors, and if your head isn’t screwed on, it can be a career killer.

Let me stipulate up front that most reviewers, indeed, the vast majority of reviewers are writing honest, objective reviews. This blog is about the other ones.

I offer some points to remember if you decide to read your reviews. I say ‘if’ because many successful authors never read reviews. I used to think this was BS, but it’s true. These folks understand the reality of reviews.

And here they are:

  • Reviews are supposed to be objective, but they’re not. Readers bring themselves into the review based on their own beliefs. Here’s a personal example. I published a book titled AK-47: the Weapon that Changed the Face of War. Pro-gun people said I blamed all the world ills on this ubiquitous weapon. Anti-gun people said that I glorified the weapon. Both can’t be true. Right? I even read one review that chided me for not including more pictures of guns. Hello… it was not a gun-porn book, but a political view of the world’s most-used weapon.

 

  • Some reviewers and readers are pissed off about a specific subject matter so they give a low rating hoping that potential readers will ignore a book. Think books about climate change. Others love the topic so they give a high rating hoping that others of their ilk will buy it and somehow bolster the cause. Neither reviews have anything to do with a book’s merit. Case in point: I once wrote a book about a company called MCI (not the MCI WorldCom that was later involved in a scandal). The title was On The Line. The company beat AT&T in court and this opened the way for competitive long distance phone service. I got hate reviews from those who were angry that AT&T was no longer the country’s de facto monopoly phone company and venerable Ma Bell (youngsters, stay with me on this) was being broken up. Others were glad to see the old monopoly split into regional companies which eventually ushered in the telecommunications system we have today. I even received a letter from David Packard, head of Hewlett-Packard, chiding me for writing about this start-up company which he believed would lead to the downfall of Western civilization. What about the book’s merits? Didn’t really matter. And no sour grapes here by the way. The book did really well.

 

  • Last one: Reviewers are swayed by what the reviewer thinks the author stands for. The classic case is Salman Rushdie who penned a novel in 1988 titled Satanic Verses, which caused a stir among many in the Muslim community. They accused Rushdie of blasphemy, and in 1989 the Ayatollah Ruhollah Khomeini of Iran issued a fatwa ordering Muslims to kill Rushdie. Many death threats followed and Rushdie went into hiding with armed guards. To show their support for Rushdie and their dislike of the Ayatollah many people bought the book – it became a best seller – and critics offered rave reviews because they supported free speech and wanted to strike a blow against radical Islam. It had been reported at the time that many Western consumers bought the book but never read it. They just wanted to make a point. Rushdie says he is not anti-Muslim. He was born into a Muslim family and now considers himself an atheist. By the way, many reviewers wrote about the controversy itself and not the book. That’s not their job.

My final point is this. You can’t please everyone. Mind you, I’m not talking about warranted, even constructive criticism, but make sure a review is about your book and not about you or anything else before you react. Write your book the best way you know how and work on having a thick skin or don’t read reviews at all. Your choice.

Coda: I have a good writing buddy who also is a reviewer for a respected trade publication.  I often send him my blogs to gut-check them before posting. He had this remark: “Perfectly reasonable blog, though it will never make anyone feel better about a bad review. They always hurt, even if you know you were treated unfairly.”

What if the US were run like a corporation and a madman was in charge? Check out Larry Kahaner’s latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money-back guarantee.

Writers: Don’t be a Victim of Beginner’s Luck

Writers: Don’t be a Victim of Beginner’s Luck

By Larry Kahaner

How many times have you read an author’s first book and it was terrific? The second, not so much, and the third, well…

alchemist-book-cover

Beginner’s luck is crucial to this story.

Were they blessed with beginner’s luck, the phenomenon that allows first-time fishers to catch the big one and novice archers to hit the bull’s-eye?

I’ve been thinking about beginner’s luck since re-reading The Alchemist by Paolo Coelho. In this story, the shepherd Santiago enjoys beginner’s luck when he decides to travel to Africa. He sells his sheep quickly and easily (that’s the luck) to finance his trip and is on his way to fulfill his ‘personal legend.’ The rest of the road is rocky and he encounters many situations that test his mettle. He does indeed meet an Alchemist whose last words to Santiago are: “Every search begins with beginners luck and ends with the victor being severely tested.”

Questions come quickly when it comes to writers and beginner’s luck. Is that all they had in them – that one amazing book? Was it a publishing industry fad fluke? Did they take their talent for granted and not try harder? And, the classic, ‘success went to their head and they got lazy.’

I chalk it up to beginner’s luck which is not some magical belief but a real thing that can work to our advantage if we understand how it operates. Here’s how:

  • Beginners have nothing to lose. Writers artists and musicians do their most imaginative and inspired work when they don’t have an image to maintain, and when they don’t care about how it’s received by critics. They are free to create a work that is unique, using their own voice, and without preconceived notions holding them back.
  • Beginners don’t know the rules. They see the world in their own way and don’t feel the need to conform to standards of creativity pushed by others. I find this aspect common in writers who pen the most avant-garde first novels then are afraid of keeping up the pace and thus revert to less exciting prose because they’re afraid of reaching for new heights again. Failure is easy; success is hard.
  • Beginners rarely have expectations beyond finishing the work. This allows them to keep an eye on the final goal and not what others will think of it. This eliminates self-censorship, a serial killer of creative writing. Say, what was that annoying song? Come From the Heart (I had to look it up.):

You got to sing like you don’t need the money

Love like you’ll never get hurt

You got to dance like nobody’s watchin’

It’s gotta come from the heart

If you want it to work

Great lyrics, excellent advice, but it was irritating to hear lousy versions of it played at every wedding and bar mitzvah I have attended for the last twenty years. Here’s a good cover by Guy Clark.  His wife Susanna Clark composed the song.

Here’s the takeaway. Allow yourself to write every day with beginner’s luck and know that you can keep receiving its gifts if you pay attention to its pitfalls.

(If you’re curious, you can read more about beginner’s luck on Wikipedia. There’s some science behind it.)

 

What if the US were run like a corporation and a madman was in charge? Check out Larry Kahaner’s latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money back guarantee.

Why I Chose Fiction Over Fact

Why I Chose Fiction Over Fact

By Larry Kahaner

A friend recently asked me why I have turned to writing novels instead of continuing my non-fiction book career.

The answer is two-fold. First, I wanted to try something different, transferring what I’ve learned from the non-fiction world to novels. Call it a professional challenge; it’s the thrust of this blog.why-fiction-quotes

Second, I’ve been a non-fiction book author all my working life, and I thought I was really making a difference in people’s lives. I have, and I’m proud of my work, but the world has changed.

We may be heading into a post-journalism world (and by ‘journalism’ I mean unbiased, fair reporting and writing that informs people) and my cynicism is growing. Lately I’ve been thinking that maybe, just maybe, fiction may be in the forefront of telling truths that last with us and make us better people.

I’m not the first to notice this, of course. Barack Obama, in his farewell speech cited the character Atticus Finch in To Kill a Mockingbird who said: “You never really understand a person until you consider things from his point of view … until you climb into his skin and walk around in it.”

How many minds were changed by this simple message in a book read by millions?

How many of us have been moved to think in new ways by classics like Catch-22, Lord of the Flies or any of the current dystopian novels such as the Hunger Games, that warn us about who we might become if we’re not mindful. Consider the parable The Alchemist by Paulo Coelho or almost anything written by Haruki Murakami. They simply make us more aware of others and ourselves.

We cannot remain unchanged after being fully engaged in reading about the life of someone else, especially if that person is made up. If we read the biography of a remarkable person, we see what the author wants us to see. If we read about a fictional character, we can go beyond the author’s description and see ourselves, too. We can put ourselves in their lives instead of watching from the outside. This offers a greater opportunity for introspection and growth.

I believe the power of fiction – books, movies, TV – is becoming stronger than ever as we become more polarized in our consumption of news and non-fiction books. Conservatives read their books; liberals read theirs, but everyone can agree to read an entertaining piece of fiction or watch a compelling movie.

I’m not saying that every story needs to have an earth-shattering, world-changing message. Sometimes a tale is just tale, and that’s fine. And neither am I talking about deliberate, heavy-handed propaganda disguised as fiction. I hate that.

I’m talking about telling a story with a moral, a story that moves us to think beyond our everything assumptions. The story doesn’t have to be true, but the message does.

My hope for my latest book USA, Inc., – aside from  being a good read – is that it may inspire people to think more about the damage that occurs from the confluence of greed and power. I confess without shame that my main goal was not to preach but entertain. I just wanted to write a compelling book that got readers to turn the page.

Consider it a twofer.

What if the US were run like a corporation and a madman was in charge? Check out my latest thriller USA, Inc. now available in eBook and paperback. All my books have a money back guarantee.

 

 

 

 

Hey, Writers: Stop Your Freakin’ Whining

Hey, Writers: Stop Your Freakin’ Whining

By Larry Kahaner

Most of my working life, I’ve been a non-fiction writer. I’ve penned over 15 books some with my name and some I’ve ghosted. I know a lot of non-fiction writers. They’re my friends and colleagues.

crazy-author-1

Don’t be like this writer.

When I decided to write a novel, USA, Inc., which was just published, (shameless plug) I started hobnobbing with fiction authors, some established but mostly newbies like me. In fact, I started this blog to help me move from non-fiction to fiction. I hope I’ve helped others do the same, because many non-fiction writing traits, habits and experience are transferable.

Right off the bat, though, I noticed that fiction writers are different than non-fiction writers — and not in a good way.

They are a bunch of whiney-babies.

They complain about money. They grumble about how the work is difficult. They whimper about how they can’t find the time to write. They moan about plots, themes, dialogues, characters, distractions, attention deficit issues, emotional burnout and their muse being on holiday. Oh, and let’s not forget ‘writer’s block’ which is just a made up malady for not feeling like working today. (Do plumbers have plumber’s block? Do doctors have doctor’s block?)

The carping seemed endless.

google-search-for-crazy-writers

Even Google thinks so.

I was surprised at this infinite hole of discontent and unhappiness. I tried to understand it, but I couldn’t. Maybe it’s because I write for a living so complaining all the time would be soul-breaking. If I didn’t like the work, I would have obtained employment in a different area. Yes, writing is difficult; it’s even harder to make a living at it. I get that, but why do these fiction folks keep knocking their heads against their respective walls and tell the rest of us how hard their writing lives are? They seem to savor their arduous fiction-writing lives and relish telling anyone who will listen.

I’m not saying I’m totally right, but here’s what I think is going on:

Many fiction writers have this romantic notion that artists must suffer. They believe that if they’re not suffering and complaining then they’re not true creators. Where did they get this idea? Well, from many famous writers and artists who have hidden their anguish with alcohol, drugs, bad behavior and annoying habits that drive those around them nuts. They wore the displeasure of their craft like a badge of honor.

The other errant notion is that creative types, like writers, are extreme, eccentrics or misfits and if you want to enter that group you must behave accordingly – and that includes telling everyone around you how difficult your craft is. If you don’t, then you’re not being really a creative.

Such nonsense.

You don’t have to be crazy and, moreover, you don’t have to act cray-cray just to fit into a misplaced notion that writers are a little off, weird or different. You can be normal and be a writer. All you have to do to be a writer is do the work.

I will concede that being a writer requires an open emotional life and that can manifest itself in day-to-day pain, discomfort and dislocation from society, but you don’t have to be a jerk about it to others or yourself. I will also acknowledge that good writers must dig deep inside to turn feelings into words and that can be a frustrating and often painful process. Doing this on a daily basis can make you a tad squirrely and you may want to vent. My advice is don’t. Try to foster a work/life demarcation like others who deal with raw, unsettling emotions like police, lawyers or Walmart employees.

One last point: Writing is a hard life and the work is difficult. The money doesn’t always come. You suffer rejection and disappointment in the pit of your being. You may not have the talent or temperament to be a writer, so why do it? Why do people insist that writing a novel is some pinnacle to be scaled no matter what the physical, emotional or spiritual cost? Not to sound harsher than I’ve been, but we don’t need any more books published. There are plenty. And…shhh… don’t tell anyone… if you don’t write your book, the world will still spin.

If you do continue to write, for god’s sake, stop freaking complaining about it. I’m tired of hearing it and guess what… so are your friends and loved ones.

Okay? Thanks.

PS – The irony of complaining about complaining did not elude me, so take that off the table when you’re composing your snarky responses.

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