The Non-Fiction Novelist

Helping at-work writers to become novelists

Archive for the tag “kalashnikov”

Your Novel Ain’t Perfect. Let It Go.

By Larry Kahaner

I’m thinking a lot about what I’ve done for a living during the past 30 years. As a writer, journalist and author (mainly non-fiction and now a novelist) I every so often I come upon a sentence, a phrase, a thought about what it means to be a writer that strikes me hard where I stand. Usually, it’s something I learned that has helped turn me into a working writer.dali perfection

I was reading a blog the other day by the folks at the art of storytelling and a sentence resonated with me. “Most new writers start as perfectionists and must unlearn this to become true writers.”

For sure. I’m lucky that I learned this early on while in the newspaper business where you didn’t have time to torment yourself over your precious words.

I’ve been harping about this issue for years. I even wrote a blog about it. I compared novelwriting to the AK-47 rifle. The AK, if you’re not aware, is the most used weapon in the world and it has several characteristics that make it so popular. It’s cheap, easy to make, easy to use — and it’s not perfect. Yes, that last one is a positive attribute.

I’m quoting here from my post:

“It’s not a precision, beautifully- constructed weapon like the U.S. M-16 rifle, but it did the job and, unlike the M-16, it didn’t have to be taken apart on a regular basis to be cleaned. In fact, the reason why the AK works so well is because it is not perfect. The parts don’t fit precisely together so dirt and gunk don’t accumulate in the mechanism. It just kicks out the muck and keeps firing.

One of the sayings in Kalashnikov’s Soviet Union was “Perfection is the enemy of good enough,” and I was reminded of this while reading Art & Fear by David Bayles and Ted Orland. It’s a great read for all artists including writers.

An important point the authors make is that many writers are stopped in their tracks because they’re trying to achieve perfection on the first go-around.”

When newish writers ask me for advice I tell them to write the best that they can, but don’t obsess over every word or even every sentence. You can never make anything you write perfect. It’s impossible. (For another take on letting go see Cristian Mihai’s blog on the subject.)

One of my mentors once gave me the following advice. “Anything that’s written can always be made better.” Once you understand and believe it, you can proceed with your work and not get caught in the snare of perfection.

Even the best writers offer flawed prose but hide it among solid, serviceable, engaging and compelling bodies of work.

By definition, I believe that writing – like any craft or art – is an imperfect endeavor so do the best you can in the time allotted, to the limit of your abilities, and then move on. I’m not advocating sloppy work nor am I in favor of quantity over quality (something I’m seeing too much of these days because the mechanics of self-publishing are way too easy) but don’t be afraid to let your novel fly away when you’re done. Mind you, if you know that your book has a major defect or hole, fix it. Don’t be lazy or frustrated with it. Do the work, and don’t release it into the wild, until its right.

Then let readers decide if your book is perfect or not.

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Why Writing A Novel Is Like The AK-47 Rifle

Why Writing A Novel Is Like The AK-47 Rifle

By Larry Kahaner

ak image

The AK-47 is the most used weapon in the world, but it’s not perfect.

Several years ago I wrote a non-fiction book about the AK-47 rifle. It was not a gun book, per se, but a history about how this ubiquitous weapon changed the world, certainly the world of war. For those of you who never watch television, read the web or see a magazine, the AK-47 is ‘the gun’ that you see everywhere. It’s what we think an automatic weapon should look like with its distinctive banana-shaped magazine (the part that holds bullets). It’s the most popular weapon in the world because it is simple, never jams, it’s cheap, and anyone can use it effectively. It is the choice of terrorists, mercenaries and even government armies. (Click here to watch a book promotion video that I made.)

What does this have to do with writing a novel? I’m getting there.

The inventor, Mikhail Kalashnikov – the weapon also goes by his last name – knew that it was not a perfect weapon, that it had flaws but he knew that it could operate underwater or be buried in the ground, dug up a year later, and still work. It’s not a precison, beautifully- constructed weapon like the U.S. M-16 rifle, but it did the job and, unlike the M-16, it didn’t have to be taken apart on a regular basis to be cleaned. In fact, the reason why the AK works so well is because it is not perfect. The parts don’t fit precisely together so dirt and gunk don’t accumulate in the mechanism. It just kicks out the muck and keeps firing.

One of the sayings in Kalashnikov’s Soviet Union was “Perfection is the enemy of good enough,” and I was reminded of this while reading Art & Fear by David Bayles and Ted Orland. It’s a great read for all artists including writers.

An important point the authors make is that many writers are stopped in their tracks because they’re trying to achieve perfection on the first go-around.

They write:

“To demand perfection is to deny your ordinary (and universal) humanity, as though you would be better off without it. Yet this humanity is the ultimate source of your work; your perfectionism denies you the very thing you need to get your work done. Getting on with your work requires a recognition that perfection itself is (paradoxically) a flawed concept…. For you, the seed for your next art work lies embedded in the imperfections of your current piece. Such imperfections (or mistakes, if you’re feeling particularly depressed about them today) are your guides – valuable, reliable, objective, non-judgmental guides – to matters you need to reconsider or develop further. It is precisely this interaction between the ideal and the real that locks your art into the real world, and gives meaning to both.”

Being perfect is a hot button issue for me and I’ve discussed it in previous blogs. One reason for my interest is that I see too many writers not writing because they’re waiting for that perfect moment, that perfect phrase or that perfect muse to enter the room. That’s not how real writing (as opposed to dilettante writing) works. Real writers write and what comes out is never, ever perfect.

It bothers me greatly when I see writers paralyzed by their work, losing confidence, patience and even perspective because they want it to be perfect. Worse yet, not even starting or quitting because they don’t believe it will end up being perfect.

I know that ‘writing prompts’ are really popular these days so here’s one for you. Write something with the understanding that it will not be perfect. Give yourself permission to make  mistakes knowing that you can fix them later.

The freedom is exhilarating and your work will benefit. Without the constraints of perfection, you will see a marked difference in your book. That’s why National Novel Writing Month spells success for many authors. Writing 50,000 words in a month doesn’t allow you time to seek perfection, but you do rack up the words for more conscious and thoughtful rewriting later.

Kalashnikov had said that he wanted his weapon to be better designed, but he didn’t have the skills (he was a tinkerer not an engineer) or the know-how. He just made something that worked and put it out for the world to use.

That’s all you really want for your novel. It doesn’t have to be perfect; it just has to work for the reader. Fix the big mistakes, for sure. The smaller ones, too. Make it as good as you can -don’t cheap-out on the rewrites – and then let it fly.

Let readers decide if it’s perfect or not.

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