The Non-Fiction Novelist

Helping at-work writers to become novelists

Archive for the tag “modeling successful writers”

A New Era of Pulp Fiction?

A New Era of Pulp Fiction?

By Larry Kahaner

I have been waiting for an announcement like James Patterson’s “Book Shots” to cement my ongoing belief that the modern age of pulp fiction is upon us.book shots cover

Patterson’s new book machine is producing novels “under 150 pages for under $5.” It promises: “Life moves fast – books should too… Impossible to put down. Read on any device.” The website also touts: “All Thriller. No Filler.”

Swell, baby.

The reason for this foray into modern pulp with their short-page count and compelling covers is obvious. Our attention spans are shorter, and we all carry our phones and devices around with us. But the idea is cleverer than that. These books are first focusing on thrillers and romances therefore adhering to the top two reasons why people read novels: entertainment and escape. These genres offer both – in spades, sweetheart.

spicy detective - Copy           As many of you know, I’m a fan of pulp novels. I relish the fast pace, the vivid language and colorful characters. These pulps (named for the cheap paper they were printed on) spawned a stable of fast-writing authors who were paid miserly and, in order to make a living, churned out books by the cartful. In between books they wrote serials and short stories for magazines like Black Mask and Argosy. They moved back and forth with ease.

The books were short, cheap, (yes, I mean inexpensive) engaging, had tons of action, and their lurid covers promised titillation. Ditto for the pulp magazines.

From these pulpster ranks came great writers like Raymond Chandler, Mickey Spillane, Dashiell Hammett, L. Sprague de Camp, John D. MacDonald and Robert Heinlein. They honed their skills by writing fast and hooking readers even faster.

What I see now mimics the age of pulps. Online magazines have taken the place of physical magazines along with lots of writers who are writing lots of books. I especially see this in the indie book explosion where many authors produce books by the score charging low prices and even giving away free copies to entice readers to their later works.

But here’s the killer difference. Most of the modern-day pulpsters are not working for  publishers who pay them a pittance. (I don’t know what Book Shots pays.) They’re taking a flyer on themselves, paying their own way into the self-publishing game and ginning up their own covers. They no longer need a jamoke with a printing press.USA Inc 25 May 2016 KINDLE

What happens next? Will we see world-class writers emerge from this burgeoning sea of modern pulp authors? Will publishing history repeat itself?

I certainly hope so. Between prolific indie authors and commercial powerhouses like Patterson’s Book Shots, everything is in place for a new generation of writers to pay their dues and take their place with the break-out pulpsters of the past.

Shameless plug: To read an excerpt from my Kindle Scout book “USA, Inc.” click here. If it is nominated, you get a free e-book and my appreciation.

Why an Establishment Author is Doing Amazon’s Kindle Scout – Part 2

Part 2: The Hidden Cleverness of Amazon

By Larry Kahaner

Amazon’s Kindle Scout program makes my head spin. It’s clever in ways that you don’t see. (Read “Part 1: The Weirdest Writing Thing I’ve Ever Done.“)

USA Inc 25 May 2016 KINDLE

Amazon has disrupted the traditional publishing business which consists of the following flow: the author who writes the book, to the agent who acts as a filter for publishers and the publisher who produces the book. The last link in the chain is the bookstore. In the olden days, the publisher would not only acquire, edit and print, but market, promote and sell the book. However, in the past few years, publishers have taken less of a role in marketing, promotion and publicity, leaving much of it to authors. (Except for top authors who still get this treatment even though their books don’t need it.) And publishers certainly do far less editing and working with authors’ writing than ever before.

At every step in this worn-out process, Amazon has inserted their monkey wrench. They took on bookstores by making physical browsing obsolete. You now can read the first few pages of any book on line without charge. You can even return an e-book if you don’t like it. For better or worse, bookstores are disappearing or morphing into coffeehouses.

Next, e-books. Although they didn’t invent e-books, they made it a real business. E-books cut publishers hold on physical printing. Unfortunately, e-books led to lot of crappy books, because Amazon and others made publishing  e-books just too easy. It’s a shame because a lot of really good books, from unknown and even known authors, are being drowned in a sea of publishing dreck. We need a filter, someone like an agent.

Behold: Kindle Scout.

When an author submits a book to Kindle Scout, the editors at Amazon (many of whom are highly-skilled editors laid off by the publishing industry during the recession) become the first filter, the job of agents. They don’t accept every book that comes their way which is a plus for potential readers because they don’t have to wade through a ton of poor books to find one they want to read.

But it gets better.

Readers, who are attracted to the cover and the teaser line, read the excerpt and vote if they would like to read more. Authors, of course, are compelled to not only produce a ‘selling cover’ but the promotional material, and then cajole readers to sample the excerpt. In essence, authors are doing the jobs that traditional publishers have given up on – which publishers now expect most authors to do anyway. As an incentive for doing this work, Amazon gives authors about half of the proceeds, a much larger chunk than traditional publishers.

But wait, there’s more.

If your book is not chosen to be published by Kindle Scout, many authors will then self-publish because they already have a great cover, followers who voted for their book and the confidence and marketing/promotion skills they learned during the campaign. Kindle Scout is like a training program for authors.

The best part is that readers have their pick of professionally-written, vetted books that are a cut above the slap-dashed self-published books that are flooding the market.
Bottom line for Amazon: They get to sell better-written books with compelling covers by authors who know the business side of writing.

Amazon is just so damn clever.

Shameless plug: To read an excerpt from my Kindle Scout book “USA, Inc.” click here. If it is nominated, you get a free e-book and my appreciation.

 

Why an Established Author is Going Indie

By Larry Kahaner

Sheri McInnis has enjoyed success with big publishing houses, but is now going indie with her new books.

sheri mcinnis

Sheri McInnis

Why not go with the big houses if they’ve published you before? Sheri explains it in the following blog entry in ways that make sense for many professional authors. She may be on the cutting edge of book publishing these days with phrases like “multi-published author” making the rounds. A multi-published author is someone who publishes both with traditional publishers as well as independently. (I know; some use the phrase to mean something different.) We’ve witnessed an increasing amount of crossover lately especially from authors who publish an e-book on their own, which is then bought by a legacy publisher. (Witness the self-published book The Martian, later bought by Crown and now a movie blockbuster.) Or, in some cases, traditionally-published authors who, for their own reasons, want to publish a particular work independently – like Sheri. The lines are blurring.

I often voice a low opinion of indie books. Just like anyone with a smartphone seems to think they’re a photographer, anyone with a computer and an internet connection reckons that they’re an author. Yeah, they’re an author, technically speaking, but their stuff often stinks because there is no filter, a role that agents, editors and legacy publishers filled. This sieve kept a lot of poor writing from reaching the bookshelves. Not always, but often. On the other hand, nothing gives me a greater surprise than to read an indie author who has penned a book to make a publisher wish they had paid closer attention to their slush pile. Here’s a recent find: Dream Brother: A Novel by Brian Marggraf. And another: Mintwood Place by Bob Gilbert. One more: The Test of Time by Allen Appel (Allen is a colleague who was also published by large houses).

Thanks to Gordon A. Wilson, on whose website this first appeared, and to Sheri for permission to publish her post.

 

 

The Top 5 Reasons I’m Self-Publishing – Instead of Going Back to the Big Guys

by Sheri McInnis @SLMcInnis

1) CONTROL

I’ve worked with some of the most successful editors in the business – and I was especially fond of my first one at Atria. But that didn’t make the revision process any easier.

Because as much as publishers hail creative freedom, unless you deliver an ‘approved manuscript’ your book won’t even be published. That means there’s subtle pressure on you to take your editor’s notes – whether you agree with them or not.

The editor isn’t the only one who requests changes either. Notes will come from your agent, the editorial assistant, even the publisher. And their input can range anywhere from the helpful to the heartbreaking.

Even the marketing department gets in on things. For instance, the marketing people didn’t like the original title of my first book, so the publisher changed it to Devil May Care. Bad luck for me because at around the same time another ‘devil’ book came out. But you probably heard of that one.devilmaycare

The Devil Wears Prada was so popular, people didn’t just confuse the titles – they actually thought I was Lauren Weisberger! One bookstore manager was so excited to meet because my book was “just flying off the shelves!”

You can’t imagine how disappointed we both were when I got to the store and he had a huge stack of Prada waiting for me to sign.

Remember, there are lots of people who get involved in publishing your book,  and as the author you aren’t the one with the most control.

 

2) TIMING

Even if I signed a contract tomorrow, the book wouldn’t hit the shelves for at least eighteen months – probably more. I simply don’t want to wait that long.

For one thing, I’m not getting any younger. But most importantly, the main part of the book takes place in 2021. There are technological advances and environmental disasters that only make sense with a believable padding of time.

I also have a specific release date in mind – November 11. The book – a supernatural thriller called The Hunter’s Moon – is about witches and this date is pivotal to the main character’s story arc.

But unless I’m Stephen King or Sophia Kinsella, it would be crazy to request a particular release date from a publisher. They have hundreds – if not thousands – of titles carefully staggered over many seasons.

Even then, a publisher has the right to change the release date – which happened on my second book, By Invitation Only. A more popular writer bumped the release by a month. That writer was Sophie Kinsella.

 

3) MONEY

Just a handful of years ago, even a mediocre book advance was in the fifty thousand dollar range (that’s what mine were; though I shared the second with my co-writer).

Unfortunately, publishers didn’t fare well after the 2008 recession. My (former) agent told me most advances were down to about 10% what they were – and the business is still recovering.

The downturn also resulted in less money for promotion. Book tours, launch parties and flashy displays are for only a lucky few writers. So whether you self-publish or not, you still have a huge job of promoting the book yourself – both in terms of time and money.

There are still great book advances out there. Romance writer Jasinda Wilder recently signed a 7-figure book deal with Berkley. Of course she had quite a bit of success already. She’d sold two million e-books as an indie author.

What I find most interesting is that even with a big contract, Jasinda is going to continue to self-publish some titles. According to the Guardian, the most financially successful –  and happy – writers are ones with a foot in both camps.

 

4) PRACTICALITY

In all honesty, it would probably take years – if ever – for me to get another book deal. Neither of my novels were disasters but they didn’t perform as well as expected. What’s worse, I turned into an emotional wreck after the books flopped and actually gave up writing fiction (twice), meaning I wasn’t able to quickly write another book to bounce back.

So why would a publisher take a chance on me when there are so many great first-timers out there? Or thousands of bestselling indie authors who already have a loyal following?

Over and above the performance of my books, I’m launching into a genre that I have no experience in. There’d have to be a lot of changes in the publishing world before someone signed me simply because ‘this idea came to me in a dream.’

If I want to continue writing, I really don’t have a choice but to go indie. Which brings me to  …

 

5) BECAUSE I CAN

Since the beginning of the printing press, books have been expensive and complicated to produce, which is why authors have always been dependent on publishers to print and distribute their work.

However, in just a few short years, indie writers have changed the game completely. Today every writer on the planet has the opportunity to reach millions of readers, and there isn’t the same stigma to self-publishing that there once was. That’s not just a change in the publishing world. It’s a revolution in the way stories are told.

Whether you decide to follow the holy grail, choose to self-publish – or try some combination of the two – it’s an exciting time to be a writer. Telling stories is what really counts, no matter how we get it done.

 

The Secret to Writing That Nobody Tells You

I am reblogging Jane’s post because it’s something that I’ve been harping on for years. Writing is work. You put your ass in the seat and write. Only when you can do this day in and day out can you call yourself a writer. You write when you feel like it and you write when you don’t feel like it – just like everyone else and their job. There are good days and bad days but you still go to work, right?

Word Savant

When I coach people, there is an ugly truth about writing that I often hold back from them. It’s something you can only learn through gut-wrenching, razor’s edge, shard of broken glass experience.

There is no magic to writing, none at all. It’s nothing but grueling

No magic, no easy formula, no genius algorithm. There is no “secret” that is going to make everybody love your work, buy all your books, tell their friends about you, and get stars in their eyes when they hear your name.

It is simply monotonous, repetitive work.

I recently finished the manuscript for my first novel. For eight years I struggled to finish it. And do you know what finally helped me finish it?

Monotonous, repetitive work.

I did it by sitting down (almost) every day and writing a minimum of 500 words.

Some of those days were pretty good days. I would say…

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How Good Does Your Novel Have to Be?

By Larry Kahaner plainenglish

When I was just starting my non-fiction writing career, I wanted to be published in the Sunday New York Daily News magazine. I had been born and raised in Brooklyn and to me the pinnacle of  ‘getting in print’ was this publication read by millions. It was the tabloid newspaper for the masses and I wanted to reach that audience. For those who have not read the magazine, there was not much to the stories. They were mainly human-interest stuff, some sports, local color… you get the picture. Literary masterpieces they were not.

As much as I tried, I could not get them to buy my material. I tried for years and I was perplexed because I would read the stories and say to myself, ‘I can write better than this. Why won’t they take my stories?’

Fast forward to Boston University’s graduate school in Science Journalism where I met a professor to whom I was telling this tale. He said: “Maybe they don’t want anything better than what they have.”

The light bulb went on in my head. He was right. Not to sound cynical, but the editors were happy with the quality of the stories they printed. They didn’t want anything more clever, better written or exciting.

How does this to relate to novel writing? I read a lot of thrillers and some of them are what a reviewer friend of mine calls “perfectly fine.” They don’t blow the roof off the house or some such saying but they are enjoyable and satisfying to read. The most successful and bestselling authors know this. They don’t spend a lot of time concocting complicated phrases or sentences. They write simply, clearly and provocatively.

That’s the real secret of novel writing success. Fancy, witty and clever stories are okay… if you want to write them …  but nothing makes readers happier than a compelling story, simply told,  with a satisfying ending.

Leave the high falutin’ words for your dissertation. Just relate the story as if you were telling a friend. And, as I always say, you have only one job: make the reader turn the page.

 

Novelists, Find Your Voice

By Larry Kahaner

Don’t be afraid to throw away your words. They’re not sacrosanct.

Don't be afraid to throw out your early pages.

Don’t be afraid to throw out your early pages.

 

When writing many of my non-fiction books including AK-47: The Weapon that Changed the Face of War and Cults That Kill: Probing the Underworld of Occult Crime, I generally threw out the first 50 or so pages during rewrites.

It takes a while to get your writing motor running,  to find your voice, which can change depending upon the book you’re writing. For me, the process takes about 50 pages. Some fiction writers swear that it takes them 100 pages before they hit the proper  voice. These first hundred pages then get tossed in the trash.

Rest assured that this is normal.

First, what is voice?

I like to think of voice as having two components. The first is the author’s style. It’s who you are, your personality, the way you see the world. Are you a serious person or a wise aleck? Clever or subtle? Upbeat or a downer? These traits are reflected in how you write. They belong to you, so own them. This voice generally stays the same but can change somewhat based on what you’re writing. When I write serious non-fiction, one side of my personality shows through, the journalistic, down-to-earth side. When I write novels, my less serious side shows through. However, my basic writing style – which I define as accessible, easy to understand and ‘talk-directly-to-the-reader’ – is always the same. That’s who I am as a writer.

The second meaning of voice is the speech, tempo and chosen words of the narrator. Is the dialogue long-winded or fast-paced? Do the words fit the time frame and environment? Is the narrator convincing? Does the dialogue sound true?

In most cases, the first kind of voice generally stays the same – with mild exceptions – because it’s you. The second will change with the story.

Now, back to finding your book’s voice. My method (and that of many writers I know) is to let the draft sit for a while, as long as several weeks or a month. When you come back to it, it’s as if you’re seeing it for the first time. Now, instead of reading it as the writer, you’re reading it as a reader.

Trust your instincts and your first reactions to the book. Be honest and objective. Keep your ego in check. It may sound trite but ask yourself: Is the book true to who I am, what I want to say and how I want to say it?

Read more…

Can You Model Successful Novelists?

By Larry Kahaner

Modeling successful people works, but in their desire to do what novelists do, many new writers often ask the wrong questions: Do you write in the morning? Do you use a pen? Does whiskey help? Which notebook is the best? These are superficial queries that don’t get to the essence of becoming a successful author.

Ask any professional writer and he or she will say the same exact thing:

anatomical-studies

Successful writers, like artists, do sketches for practice.

Sit in your chair and write.

 Many people don’t want to hear this because it means hard work. It’s much easier to buy the exact pen that your writer hero uses or purchase that ‘special’ notebook.

 Writing is hard, but the more you write, the easier it gets. Big surprise. Even the best baseball players still take batting practice every day because the more they do it, the easier it becomes to hit the fastball. This goes for everything in life.

So, how can a new writer practice if he or she doesn’t have a book in the works (or even if he does)? Here’s something that I’ve used and it might work for you. Watch people around you. Coffee shops provide a good venue. So does your workplace. Sitting in public transit offers opportunities. Eavesdrop on people. You don’t have to catch everything they say. In fact, it’s better if you don’t. Notice their mannerisms, their clothing, how they move their hands, how they express themselves…

Read more…

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