The Non-Fiction Novelist

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Archive for the tag “writing tips”

Stop Writing Crappy Fantasy Novels

Stop Writing Crappy Fantasy Novels

By Larry Kahaner

This is one of those blog posts that  get me in trouble.

I don’t do it on purpose. It’s just that some things bug me, and I can’t be quiet about it.dummies-161x200

Here it is: Stop writing crappy dystopian, sci-fi, and fantasy novels. I know I’m lumping them together, but they’re related as far as my beef is concerned. In fact, I’m just going to use the word fantasy from now on to encompasses these three genres.

Why do so many people write terrible fantasy novels? Because it’s easy.

Whoa. Writing a book is easy? No, never. Writing is hard. I know; I’ve written many books, fiction and non-fiction, and anyone who can finish a book gets an attaboy or attagirl from me.

What I’m talking about are writers who use the fantasy form to write awful books, because this form, more than any other (except maybe romance novels; I’ll get to you in a subsequent post) allows writers to be lazy and defraud their readers.

Here’s an example: One of your characters is trapped in a room and there’s no way out. Suddenly, they fish out a special piece of something from their pocket that transports them away. We had no clue about this magical item beforehand. It’s lazy writing. Its cheating. One of the hallmarks of strong authors is the ability to put their protagonist in a bind and get him or her out cleverly without resorting to trickery. Mystery writers are usually pretty good about it without pulling out a gun that just happened to be hidden in someone’s boot. But even some bestselling authors succumb to a savior parachuting in – a rescuer we’ve not seen before. In one mystery novel I read from a super successful author you were to wonder about the killer’s identity. As you should. Surprise. It was a long lost twin who came into the picture toward the book’s end. We had no idea this person existed and there were no clues to his even being alive. Cheater.

Fantasy author Patrick Rothfuss alludes to this problem when it comes to using magic. He writes: “If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you’re at it? Go ahead. Nothing’s off limits. But the endless possibility of the genre is a trap. It’s easy to get distracted by the glittering props available to you and forget what you’re supposed to be doing: telling a good story. Don’t get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That’s a story. Handled properly, it’s more dramatic than any apocalypse or goblin army could ever be.”

Exactly. You can’t tell a strong story if you’re always relying on magic, bogus superpowers or outlandish ‘saves.’

How to prevent this from ruining your book is actually pretty easy. Don’t write yourself into a corner just because you want to made your work as dramatic, scary or provocative as possible. It’s okay not to know ahead of time how a character will get out of a jam, but do it in such as way that’s not ridiculous or unexpected.

Respect your readers, okay?

 

What if the US were run like a corporation and a madman was in charge? Check out my  latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money-back guarantee.

Book Reviewers Can be Jerks

Book Reviewers Can be Jerks

By Larry Kahaner

Whether you are a seasoned author or just published your first book, reviews play tricks on your self-confidence as a writer. Like everything else in life, some people like your stuff and some people hate it (thanks, Captain Obvious) and there’s nothing you can do about it.review-book

Every book has its supporters and detractors, and if your head isn’t screwed on, it can be a career killer.

Let me stipulate up front that most reviewers, indeed, the vast majority of reviewers are writing honest, objective reviews. This blog is about the other ones.

I offer some points to remember if you decide to read your reviews. I say ‘if’ because many successful authors never read reviews. I used to think this was BS, but it’s true. These folks understand the reality of reviews.

And here they are:

  • Reviews are supposed to be objective, but they’re not. Readers bring themselves into the review based on their own beliefs. Here’s a personal example. I published a book titled AK-47: the Weapon that Changed the Face of War. Pro-gun people said I blamed all the world ills on this ubiquitous weapon. Anti-gun people said that I glorified the weapon. Both can’t be true. Right? I even read one review that chided me for not including more pictures of guns. Hello… it was not a gun-porn book, but a political view of the world’s most-used weapon.

 

  • Some reviewers and readers are pissed off about a specific subject matter so they give a low rating hoping that potential readers will ignore a book. Think books about climate change. Others love the topic so they give a high rating hoping that others of their ilk will buy it and somehow bolster the cause. Neither reviews have anything to do with a book’s merit. Case in point: I once wrote a book about a company called MCI (not the MCI WorldCom that was later involved in a scandal). The title was On The Line. The company beat AT&T in court and this opened the way for competitive long distance phone service. I got hate reviews from those who were angry that AT&T was no longer the country’s de facto monopoly phone company and venerable Ma Bell (youngsters, stay with me on this) was being broken up. Others were glad to see the old monopoly split into regional companies which eventually ushered in the telecommunications system we have today. I even received a letter from David Packard, head of Hewlett-Packard, chiding me for writing about this start-up company which he believed would lead to the downfall of Western civilization. What about the book’s merits? Didn’t really matter. And no sour grapes here by the way. The book did really well.

 

  • Last one: Reviewers are swayed by what the reviewer thinks the author stands for. The classic case is Salman Rushdie who penned a novel in 1988 titled Satanic Verses, which caused a stir among many in the Muslim community. They accused Rushdie of blasphemy, and in 1989 the Ayatollah Ruhollah Khomeini of Iran issued a fatwa ordering Muslims to kill Rushdie. Many death threats followed and Rushdie went into hiding with armed guards. To show their support for Rushdie and their dislike of the Ayatollah many people bought the book – it became a best seller – and critics offered rave reviews because they supported free speech and wanted to strike a blow against radical Islam. It had been reported at the time that many Western consumers bought the book but never read it. They just wanted to make a point. Rushdie says he is not anti-Muslim. He was born into a Muslim family and now considers himself an atheist. By the way, many reviewers wrote about the controversy itself and not the book. That’s not their job.

My final point is this. You can’t please everyone. Mind you, I’m not talking about warranted, even constructive criticism, but make sure a review is about your book and not about you or anything else before you react. Write your book the best way you know how and work on having a thick skin or don’t read reviews at all. Your choice.

Coda: I have a good writing buddy who also is a reviewer for a respected trade publication.  I often send him my blogs to gut-check them before posting. He had this remark: “Perfectly reasonable blog, though it will never make anyone feel better about a bad review. They always hurt, even if you know you were treated unfairly.”

What if the US were run like a corporation and a madman was in charge? Check out Larry Kahaner’s latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money-back guarantee.

Writers: Don’t be a Victim of Beginner’s Luck

Writers: Don’t be a Victim of Beginner’s Luck

By Larry Kahaner

How many times have you read an author’s first book and it was terrific? The second, not so much, and the third, well…

alchemist-book-cover

Beginner’s luck is crucial to this story.

Were they blessed with beginner’s luck, the phenomenon that allows first-time fishers to catch the big one and novice archers to hit the bull’s-eye?

I’ve been thinking about beginner’s luck since re-reading The Alchemist by Paolo Coelho. In this story, the shepherd Santiago enjoys beginner’s luck when he decides to travel to Africa. He sells his sheep quickly and easily (that’s the luck) to finance his trip and is on his way to fulfill his ‘personal legend.’ The rest of the road is rocky and he encounters many situations that test his mettle. He does indeed meet an Alchemist whose last words to Santiago are: “Every search begins with beginners luck and ends with the victor being severely tested.”

Questions come quickly when it comes to writers and beginner’s luck. Is that all they had in them – that one amazing book? Was it a publishing industry fad fluke? Did they take their talent for granted and not try harder? And, the classic, ‘success went to their head and they got lazy.’

I chalk it up to beginner’s luck which is not some magical belief but a real thing that can work to our advantage if we understand how it operates. Here’s how:

  • Beginners have nothing to lose. Writers artists and musicians do their most imaginative and inspired work when they don’t have an image to maintain, and when they don’t care about how it’s received by critics. They are free to create a work that is unique, using their own voice, and without preconceived notions holding them back.
  • Beginners don’t know the rules. They see the world in their own way and don’t feel the need to conform to standards of creativity pushed by others. I find this aspect common in writers who pen the most avant-garde first novels then are afraid of keeping up the pace and thus revert to less exciting prose because they’re afraid of reaching for new heights again. Failure is easy; success is hard.
  • Beginners rarely have expectations beyond finishing the work. This allows them to keep an eye on the final goal and not what others will think of it. This eliminates self-censorship, a serial killer of creative writing. Say, what was that annoying song? Come From the Heart (I had to look it up.):

You got to sing like you don’t need the money

Love like you’ll never get hurt

You got to dance like nobody’s watchin’

It’s gotta come from the heart

If you want it to work

Great lyrics, excellent advice, but it was irritating to hear lousy versions of it played at every wedding and bar mitzvah I have attended for the last twenty years. Here’s a good cover by Guy Clark.  His wife Susanna Clark composed the song.

Here’s the takeaway. Allow yourself to write every day with beginner’s luck and know that you can keep receiving its gifts if you pay attention to its pitfalls.

(If you’re curious, you can read more about beginner’s luck on Wikipedia. There’s some science behind it.)

 

What if the US were run like a corporation and a madman was in charge? Check out Larry Kahaner’s latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money back guarantee.

Why Writers Should Watch “The Fear of 13”

Why Writers Should Watch “The Fear of 13”

By Larry Kahaner

If you agree that all prose – fiction or non-fiction – comes down to compelling storytelling, then the documentary The Fear of 13 is a must-watch. All writers can learn from it.

yarris shot.png

Click the image to watch the trailer

 

The movie concerns Nick Yarris, a convicted murderer who has spent 23 years on death row. Except for some flashbacks, the movie focuses on Yarris talking into the camera. Dressed in prison garb, seated in a dark cell, Yarris weaves a can’t-look-away tale of his incarceration, escape from prison (he was on the lam for about a month), then brought back to prison where he was beaten and abused by guards. He tells stories about his childhood, his drug addiction, the lives and loves of gay prisoners, how he met and married a woman who visited him behind bars, and how the new science of DNA would set him free – or would it? Did he really want it? At one point, fed up with prison he petitioned the court to comply with a convicted prisoner’s right to have his execution carried out. He wanted to die even though he professed his innocence.

This push-pull is the brilliance of director Don Sington. We are kept off balance as we rethink what is before us: Is Yarris still in prison or is the background simply a dark empty room? Is Yarris wearing convict clothes or a prison-type shirt? Was Yarris already executed and this is the story of his life? As his unbelievable account unfolds, you never know – until the end – and I’m not going to tell you.

While the director brings his skills, so does the convicted killer. At one point, before being thrown in solitary, a prison guard points Yarris to an empty cell and says “take those books with you.” Yarris, who only went as far as the 8th grade, complies. Is this another cruel bit of torture? Will the guard grab the books back or is it another way to catch Yarris breaking a rule so the guard can beat him? You don’t know until Yarris explains that this tiny act of kindness started him reading books for the first time. He consulted dictionaries to learn all the words he didn’t know. And there were plenty. Indeed, that’s where the title comes from. Yarris is proud to have learned the complicated word ‘triskaidekaphobia,’ the fear of the number 13.

As a prisoner, he had plenty of time to read. He says that he devoured over a thousand books, mostly popular novels, and this is clearly were he gets his storytelling prowess. He obviously learned what all writers know. If you want to tell stories, you must read, and read, and read.

His ability to grab the viewer and pull him in is outmatched by anyone I’ve read or seen in recent years. Again, the room is empty. It’s only Yarris. It’s only words, yet he never loosens his grip on you. You’re forced on the ride, and it’s a dark ride for sure.

His stories are so fantastic – and I mean that in the true sense of the word: “fantasy-like” – that the director was forced to disclaim at the beginning that Yarris’ stories have been verified. Whether he did or not really doesn’t even matter.

I defy anyone – writer or not – to watch Yarris and not appreciate his immense power of storytelling.

(P.S. – The movie came out in 2015. It’s available on Netflix and elsewhere.)

A New Era of Pulp Fiction?

A New Era of Pulp Fiction?

By Larry Kahaner

I have been waiting for an announcement like James Patterson’s “Book Shots” to cement my ongoing belief that the modern age of pulp fiction is upon us.book shots cover

Patterson’s new book machine is producing novels “under 150 pages for under $5.” It promises: “Life moves fast – books should too… Impossible to put down. Read on any device.” The website also touts: “All Thriller. No Filler.”

Swell, baby.

The reason for this foray into modern pulp with their short-page count and compelling covers is obvious. Our attention spans are shorter, and we all carry our phones and devices around with us. But the idea is cleverer than that. These books are first focusing on thrillers and romances therefore adhering to the top two reasons why people read novels: entertainment and escape. These genres offer both – in spades, sweetheart.

spicy detective - Copy           As many of you know, I’m a fan of pulp novels. I relish the fast pace, the vivid language and colorful characters. These pulps (named for the cheap paper they were printed on) spawned a stable of fast-writing authors who were paid miserly and, in order to make a living, churned out books by the cartful. In between books they wrote serials and short stories for magazines like Black Mask and Argosy. They moved back and forth with ease.

The books were short, cheap, (yes, I mean inexpensive) engaging, had tons of action, and their lurid covers promised titillation. Ditto for the pulp magazines.

From these pulpster ranks came great writers like Raymond Chandler, Mickey Spillane, Dashiell Hammett, L. Sprague de Camp, John D. MacDonald and Robert Heinlein. They honed their skills by writing fast and hooking readers even faster.

What I see now mimics the age of pulps. Online magazines have taken the place of physical magazines along with lots of writers who are writing lots of books. I especially see this in the indie book explosion where many authors produce books by the score charging low prices and even giving away free copies to entice readers to their later works.

But here’s the killer difference. Most of the modern-day pulpsters are not working for  publishers who pay them a pittance. (I don’t know what Book Shots pays.) They’re taking a flyer on themselves, paying their own way into the self-publishing game and ginning up their own covers. They no longer need a jamoke with a printing press.USA Inc 25 May 2016 KINDLE

What happens next? Will we see world-class writers emerge from this burgeoning sea of modern pulp authors? Will publishing history repeat itself?

I certainly hope so. Between prolific indie authors and commercial powerhouses like Patterson’s Book Shots, everything is in place for a new generation of writers to pay their dues and take their place with the break-out pulpsters of the past.

Shameless plug: To read an excerpt from my Kindle Scout book “USA, Inc.” click here. If it is nominated, you get a free e-book and my appreciation.

Why an Establishment Author is Doing Amazon’s Kindle Scout – Part 2

Part 2: The Hidden Cleverness of Amazon

By Larry Kahaner

Amazon’s Kindle Scout program makes my head spin. It’s clever in ways that you don’t see. (Read “Part 1: The Weirdest Writing Thing I’ve Ever Done.“)

USA Inc 25 May 2016 KINDLE

Amazon has disrupted the traditional publishing business which consists of the following flow: the author who writes the book, to the agent who acts as a filter for publishers and the publisher who produces the book. The last link in the chain is the bookstore. In the olden days, the publisher would not only acquire, edit and print, but market, promote and sell the book. However, in the past few years, publishers have taken less of a role in marketing, promotion and publicity, leaving much of it to authors. (Except for top authors who still get this treatment even though their books don’t need it.) And publishers certainly do far less editing and working with authors’ writing than ever before.

At every step in this worn-out process, Amazon has inserted their monkey wrench. They took on bookstores by making physical browsing obsolete. You now can read the first few pages of any book on line without charge. You can even return an e-book if you don’t like it. For better or worse, bookstores are disappearing or morphing into coffeehouses.

Next, e-books. Although they didn’t invent e-books, they made it a real business. E-books cut publishers hold on physical printing. Unfortunately, e-books led to lot of crappy books, because Amazon and others made publishing  e-books just too easy. It’s a shame because a lot of really good books, from unknown and even known authors, are being drowned in a sea of publishing dreck. We need a filter, someone like an agent.

Behold: Kindle Scout.

When an author submits a book to Kindle Scout, the editors at Amazon (many of whom are highly-skilled editors laid off by the publishing industry during the recession) become the first filter, the job of agents. They don’t accept every book that comes their way which is a plus for potential readers because they don’t have to wade through a ton of poor books to find one they want to read.

But it gets better.

Readers, who are attracted to the cover and the teaser line, read the excerpt and vote if they would like to read more. Authors, of course, are compelled to not only produce a ‘selling cover’ but the promotional material, and then cajole readers to sample the excerpt. In essence, authors are doing the jobs that traditional publishers have given up on – which publishers now expect most authors to do anyway. As an incentive for doing this work, Amazon gives authors about half of the proceeds, a much larger chunk than traditional publishers.

But wait, there’s more.

If your book is not chosen to be published by Kindle Scout, many authors will then self-publish because they already have a great cover, followers who voted for their book and the confidence and marketing/promotion skills they learned during the campaign. Kindle Scout is like a training program for authors.

The best part is that readers have their pick of professionally-written, vetted books that are a cut above the slap-dashed self-published books that are flooding the market.
Bottom line for Amazon: They get to sell better-written books with compelling covers by authors who know the business side of writing.

Amazon is just so damn clever.

Shameless plug: To read an excerpt from my Kindle Scout book “USA, Inc.” click here. If it is nominated, you get a free e-book and my appreciation.

 

Writing Prompts are Dumb and a Waste of Time

By Larry Kahaner

I must say it, no matter how much you’re going to hate me: Writing prompts are dumb.

I don’t know any working writers who use them.

zombie prompts

Yeah, this is a real book.

Why would you spend time and energy on something that you’re not going to use, something that’s supposed to “get your creative juices flowing” and then toss aside?

Why not just start working on your short story, book, blog or whatever you’re trying to churn out? That’s how you get your creative spark ignited.

I know, I know… many new writers feel naked without the cloak of writing prompts. They love ’em. Websites have lists and lists of ideas like: “Write about a day in which everything went wrong” or “what would happen if we found out that we actually could breathe on the moon?” You want to write about these things? Fine. Go ahead and write a story or novel based on one of these premises, but why waste time writing a few pages just to get your engines revved?

I can hear the cries now: “But I need something that I can throw out as I get my ‘writing mind’ in gear.” What are you, a car on a cold day that needs to be warmed up? (Actually, you haven’t had to do that with cars for about the last 20 years.) I will admit that sometimes what we write first thing in the day is not as good as what we write a few pages down the line. That’s to be expected. The brain gets in the groove like it does for all jobs (not just writing) that we undertake. When you’re done for the day, week, or even the whole book, pronounce your work a first draft and rewrite it. That’s what writing is, not some phony-balony prompt that someone gives us.

My guess is that writing prompts were the product of creative writing teachers who didn’t think students were smart or creative enough to come up with their own ideas. Bull. Students have lots of great ideas. Let them loose. For whatever reason, the concept of prompts has been passed along to where there are entire books devoted to writing prompts. Don’t believe me? Go on Amazon.com and type “writing prompt books.” I saw one that touted “1200 Creative Writing Prompts.” They’re even broken down into genres like horror, mystery and romance. I saw prompt books that were written by cats and dogs.

It’s crazy.

Know who else likes writing prompts? Bloggers who write about writing. When you’re searching for something to write about just do a blog about prompts. Throw out a few ideas, and bing-bang, you’ve got a blog.

If you’re a writer, why waste your time with these distractions? Yes, that’s what prompts are. Distractions from your real writing. It’s no different than procrastinating, not wanting to do the hard work of writing. Some people call it ‘writers’ block,’ a concept which I don’t believe exists. Here’s my blog on this fallacy.

In their heart-of-hearts, why do people love prompts? They’re safe; no one will read them (unless you’re in class) so you don’t have to endure criticism of your work. More important, you can make believe you’re working on your novel (Hey, I’m writing, ain’t  I?) and you won’t feel so bad about not sitting your butt in the chair and really doing the work that needs to be done.

Is all this a bit harsh? I’m not sorry. Not a bit.

If you want to be a writer, stop being such a wuss. Forget prompts.

Just write.

What if the US were run like a corporation and a madman was in charge? Check out my  latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money-back guarantee.

Don’t Hate Me Because I Write Fast

By Larry Kahaner

I write fast.

I write fast because that’s just how I learned to write, lo those many years ago, when I was a newspaper reporter. You wrote fast because the job demanded it. You had your notes in front of you, the clock was ticking, editors were waiting for copy, and you hit the keys and didn’t pick your head up until the story was done. You read it over quickly, made your changes, made sure you didn’t say something dumb or wrong, and handed it in. You didn’t use fancy words or clever turns if it meant that you slowed down the process. If you weren’t sure of something you either left it out or used some weasel words to make it accurate and beyond the reach of libel lawyers. The key was to do the best you could in the time you had.

I write fast. What of it?

I write fast. What of it?

It was the finest training for any writer, and I’m grateful to have had that experience.

Even now, when I don’t have to write fast, I still do.

There are benefits. For one thing, you get done with your work sooner. Who doesn’t want that?

Second, there’s no time for self-censorship which is the bane of many writers. Sure, you make mistakes, don’t use exactly the word you want but you can fix it later in the editing process, which is a slower and more thoughtful activity. I have a buddy who’s working on a thriller and he stopped in mid-sentence and asked me about which firearm his hero should be using in a specific situation. (I’m the author of a book about the AK-47 so I know some stuff about guns.) Anyway, I gave him the answer off the top of my head but then told him that it didn’t matter right now. I told him to just write the word “rifle” and fix it later. By stopping to think about the perfect rifle, he not only lost his train of narrative thought, but slowed his writing momentum. Writing is physical exercise, like walking or running, and when you stop, it’s sometimes difficult to get moving again.

Third, you don’t suffer writer’s block. How can you if you never stop moving?  As I’ve said many times before, there’s really no such thing as writer’s block even though some writers insist on believing that it exists.

Over the years, people have asked me how long it takes to write a particular story, article or book. When I answer, I often have to endure the usual comments about how can I write well if I do it so fast. If I’m even inclined to answer, which sometimes I’m not, I point to other writers who’ve written quickly. (Thanks to Kristen Lamb’s blog for this list.)

To wit:

  • William Faulkner wrote As I Lay Dying in six weeks.
  • Ernest Hemingway wrote The Sun Also Rises in six weeks.
  • After being mocked by a fellow writer that writing so fast created junk, John D. MacDonald wrote The Executioners in a month. Simon & Schuster published it in hardback. It was also serialized in a magazine, selected by a book club, and turned into the movie Cape Fear 
  • Ray Bradbury wrote Fahrenheit 451 in nine days on a rented typewriter.
  • Isaac Asimov was the author/editor of over 700 books during the course of his career.
  • Stephen King writes 1,500 words a day every day of the year except his birthday. He’s published over fifty novels, and I don’t even know how many short stories and novellas. Let’s just say he’s written a LOT. Could he have done this writing a book every three years? Every five?

The truth is that just because you write quickly does not indicate that your writing is either good or bad, which brings me to National Novel Writing Month. It’s going on now. For those of you unfamiliar with it, every November participants aim to write 50,000 words during the month. NaNoWriMo, as it’s called, is voluntary and you can keep track on line. If you accomplish the goal, you receive bragging rights and some words that you can rewrite at a more measured pace.

One of the main objectives of this exercise is to keep would-be writers as well as experienced authors from slogging along in misery whilst trying to write their novels. By moving so quickly, you don’t have time for self-flagellation, malingering or complaining about how difficult writing can be (boo-hoo).

Does NaNoWriMo produce some solid books? Yes, it does. Some great books. It also produces some awful crap, because speed has nothing to do with quality.

I’m not ashamed of being a fast writer. Still, this is one of those times that I’m not going to tell you how long it took me to write this blog post. Just reread the author list above, okay?

What if the US were run like a corporation and a madman was in charge? Check out my latest thriller “USA, Inc.” now available in eBook and paperback. All my books have a money back guarantee.

I’m Just Trying Not to be a Jerk

I’m Just Trying Not to be a Jerk

By Larry Kahaner

One of the challenges and frustrations of writing is transforming what’s in your brain into words. So it was with great relief that I read a post from Ebonye Gussine Wilkins who writes at The August Rose Press blog. The ARP is a publisher and they’re always looking for well-written books to publish. Natch; they’re book publishers.jerk store 2

Over the past year or so, I’ve read a lot of indie published books, just the first few pages in most cases, because you can tell immediately if they’re crap. And many of them are terrible. On the other hand, one in a thousand is a gem, worthy of a decent advance. I sometimes wish these authors had tried the traditional publishing route and gotten well paid for their efforts. Some of the junk I see stems from the fact that many indie writers believe you need volume to make money. Hence, they push stuff out the door that should have stayed inside.

Other authors just simply should not be published – at least not yet – because they haven’t yet become proficient at their craft. Look at a list of successful, well-read and accomplished authors and you will see people with slews of unpublished books still living in their computers or printed on yellowing papers residing in their closets. Why? Because these books were not worthy of being published. We need more bad, unpublished novels to stay hidden from readers. Is that too much to ask?

As an author who has been traditionally published, I had been wanting to say something like this for a long time but didn’t want to sound like a jerk or a spoilsport. Believe me, I have great respect for anyone who can actually finish writing a book, because I know how difficult a job it is. I don’t question the effort or the passion, just the outcome.

Ebonye struck the perfect tone in her blog, saying what I’ve wanted to say for a while. Thanks for writing this so I don’t have to.

Read on…

What Really Makes an Author an “Author?”

POSTED ON FEBRUARY 13, 2015

By: Ebonye Gussine Wilkins

In the face of the perceived ease of indie publishing, many more people are suddenly becoming “authors.” Some people take their time and concentrate of every word they write, how it flows, and what they want to say. They go through multiple drafts with an editor to make sure the manuscript is in the best shape it can  be. They obsess about book cover design and how the typesetting is supposed to look. They pick laminates for covers and assign ISBN numbers. After months or years of intense labor, they produce a beautiful book.

Then there are other authors that push out thirty-five pages on Microsoft Word in Comic Sans in point 16 font. They hit F7 for spell check, run the “manuscript” through an eBook formatting program, buy a pre-designed cover design and BAM instant author-dom.

While I believe that both kinds of writers will consider themselves published authors by this point, there are so many variations between the two scenarios. They are simply worlds apart. Unfortunately, many writers take the latter approach and then proclaim they are real authors to all who will listen. It’s no wonder that traditional publishing houses look down on indie publishing authors: there is a lack of quality in the finished product.

Being an author, especially a published author means that you are dedicated to your craft. You aren’t interested in just putting out a product, you want to put out the best product that you can. Your finished product is a direct reflection of you, and if you don’t get it right, it erodes your credibility. Unfortunately, it’s not just a reflection on you if you’ve published independently. Many others may begin to believe that all indie publishing authors put out shoddy work. Do us all a favor, take your work as an author seriously. Authors support each other by making sure that they produce a polished product, so support your fellow authors by doing the same. It’s the right thing to do.

Why Writing A Novel Is Like The AK-47 Rifle

Why Writing A Novel Is Like The AK-47 Rifle

By Larry Kahaner

ak image

The AK-47 is the most used weapon in the world, but it’s not perfect.

Several years ago I wrote a non-fiction book about the AK-47 rifle. It was not a gun book, per se, but a history about how this ubiquitous weapon changed the world, certainly the world of war. For those of you who never watch television, read the web or see a magazine, the AK-47 is ‘the gun’ that you see everywhere. It’s what we think an automatic weapon should look like with its distinctive banana-shaped magazine (the part that holds bullets). It’s the most popular weapon in the world because it is simple, never jams, it’s cheap, and anyone can use it effectively. It is the choice of terrorists, mercenaries and even government armies. (Click here to watch a book promotion video that I made.)

What does this have to do with writing a novel? I’m getting there.

The inventor, Mikhail Kalashnikov – the weapon also goes by his last name – knew that it was not a perfect weapon, that it had flaws but he knew that it could operate underwater or be buried in the ground, dug up a year later, and still work. It’s not a precison, beautifully- constructed weapon like the U.S. M-16 rifle, but it did the job and, unlike the M-16, it didn’t have to be taken apart on a regular basis to be cleaned. In fact, the reason why the AK works so well is because it is not perfect. The parts don’t fit precisely together so dirt and gunk don’t accumulate in the mechanism. It just kicks out the muck and keeps firing.

One of the sayings in Kalashnikov’s Soviet Union was “Perfection is the enemy of good enough,” and I was reminded of this while reading Art & Fear by David Bayles and Ted Orland. It’s a great read for all artists including writers.

An important point the authors make is that many writers are stopped in their tracks because they’re trying to achieve perfection on the first go-around.

They write:

“To demand perfection is to deny your ordinary (and universal) humanity, as though you would be better off without it. Yet this humanity is the ultimate source of your work; your perfectionism denies you the very thing you need to get your work done. Getting on with your work requires a recognition that perfection itself is (paradoxically) a flawed concept…. For you, the seed for your next art work lies embedded in the imperfections of your current piece. Such imperfections (or mistakes, if you’re feeling particularly depressed about them today) are your guides – valuable, reliable, objective, non-judgmental guides – to matters you need to reconsider or develop further. It is precisely this interaction between the ideal and the real that locks your art into the real world, and gives meaning to both.”

Being perfect is a hot button issue for me and I’ve discussed it in previous blogs. One reason for my interest is that I see too many writers not writing because they’re waiting for that perfect moment, that perfect phrase or that perfect muse to enter the room. That’s not how real writing (as opposed to dilettante writing) works. Real writers write and what comes out is never, ever perfect.

It bothers me greatly when I see writers paralyzed by their work, losing confidence, patience and even perspective because they want it to be perfect. Worse yet, not even starting or quitting because they don’t believe it will end up being perfect.

I know that ‘writing prompts’ are really popular these days so here’s one for you. Write something with the understanding that it will not be perfect. Give yourself permission to make  mistakes knowing that you can fix them later.

The freedom is exhilarating and your work will benefit. Without the constraints of perfection, you will see a marked difference in your book. That’s why National Novel Writing Month spells success for many authors. Writing 50,000 words in a month doesn’t allow you time to seek perfection, but you do rack up the words for more conscious and thoughtful rewriting later.

Kalashnikov had said that he wanted his weapon to be better designed, but he didn’t have the skills (he was a tinkerer not an engineer) or the know-how. He just made something that worked and put it out for the world to use.

That’s all you really want for your novel. It doesn’t have to be perfect; it just has to work for the reader. Fix the big mistakes, for sure. The smaller ones, too. Make it as good as you can -don’t cheap-out on the rewrites – and then let it fly.

Let readers decide if it’s perfect or not.

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